The billboard designed by Bruno Munari for Campari is closely related to the opening of the M1 subway line in Milan, in November 1964: it is in fact a poster that considers a mobile, and at the same time fragmented, vision because, as the artist himself affirms, it does not lose “its strenght even if it is partially glimpsed, even if groups of people partially cover it, or if you look at it from…
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June 15th began the third and last week of the Specialization Course Archiviare il Novecento, organized by the CSAC Centro Studi e Archivio della Comunicazione dell’Università degli studi di Parma. This course has seen the participation of twenty-nine students in architecture, design and visual arts from the Pontificia Universidad Católica del Ecuador, Quito, after an agreement with the University of Parma. The 60 hours course has been designed with three modules focusing on the…
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Fino al 4 ottobre è in corso a Mantova, alle Fruttiere di Palazzo Te, la mostra GUARDANDO ALL’URSS. Realismo socialista in Italia dal mito al mercato, nata da una idea di Arturo Calzona e curata da Vanja Strukelj con Ilaria Bignotti e Francesca Zanella. All’interno del progetto espositivo, che indaga le relazioni, gli scambi, gli sguardi e i “fuochi incrociati” tra arte italiana del secondo dopoguerra e arte sovietica del realismo socialista, riflettendo su affinità elettive…
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